Music’s Code: The Major Scale Formula
We’ve said it before, but music theory just might be the most important thing you need to become a great musician. Master it and there’s nothing you can’t do.
We’ve said it before, but music theory just might be the most important thing you need to become a great musician. Master it and there’s nothing you can’t do.
Plain and simple, understanding keys will let you understand how 90% of music is put together, and the key of G might be the king of them all.
Time to jump into the fun world of keys! Keys are ridiculously important and are everywhere you look. Prepare to get mind melted!
No chord gets a worse wrap then the diminished chord. We’ll teach you how to play them and hopefully you’ll walk away with a little more respect for the diminished chord!
Who says nobody uses diminished chords? Only the truly brutal shall enter!
Time to learn the secret behind chords – where they come from, what notes make them up, and how we can figure out our own.
Today we’ll be visiting and old topic but looking deeper into the theory behind the T and L shapes. Now we’ll understand the why, not just the how.
Learn how to use a capo to change the key of the song. This technique will require a bit of thinking, but we’ll break it down for you!
The capo is a super handy tool to let us change keys of the fly. In this lesson, we’ll show you how.
If you look you can find the I IV V chord progression everywhere. Today we’re looking at it in a southern rock John Fogerty style.
The I vi IV V chord progression is one of the all time classics, and has limitless applications. We’ve got a killer Hoobastank riff today to show off a little of what this progression can do.
No one’s got a smoother voice or has smoother guitar playing then Jason Mraz. Today we’ve got a riff in the style of this acoustic pop wiz.
Today we’re looking at the I IV vi V chord progression in the style of pop crooner Howie Day. You just might need a hanky for this one.
Understanding minor keys will help you to create sad, dark, beautiful, heavy, or metal songs. There’s so much you can do with minor keys so let’s go!
Minor keys have been an key way for bands to get a heavy hitting sound. Today we’ll check out how Seven Mary Three might use such a progression.
Punk rockers love minor keys because it can really give their music a dark tonality. We’ll be looking at an Offspring inspired riff today to show you what you can do with minor keys.
This riff uses a i iv VII III progression in the style of the ever funky-rockin popsters Maroon 5. Hope you like it!
Today we’re learning the other most important scale you’ll need for lead guitar – the major scale. This scale will be melodic, smooth, and super tasty.
We’re getting our 90′s alternative on in this riff inspired by the great Smashing Pumpkins.
A trip back to the 80′s is always a good one! We’ll be looking into the Bryan Adams style for this riff on major scale double stops.
Everyone needs to know the major scale, including metal heads like Metallica. We’ll show you how they might use this versatile scale.
Sequences are one of the best ways to get faster and develop good technique, so we’re going to learn a 3 up 1 down major scale pattern in this lesson.
We’ve got another technique developing sequence here, this time we’ve got a pattern based off of groups of four. Hope you like it!
Most shredding starts with learning a few patterns and sequences slowly enough that you can drill it into your head, and then slowly bumping the speed. We’ve got a classic for you today!
Now it’s time for the other most common major scale we’ll need – the root 5 shape. This pattern will let us explore other places on the neck and open up new opportunities for riffing.
Who can honestly resist a Journey sing a long? No one! That’s why today we’re looking at a root 5 major scale riff in the style of this legendary 80′s band.
To get his signature dark sound, the Prince of Darkness will often use minor scales. We’ll show a super heavy riff to illustrate a common approach.
Major scales are super smooth and super melodic – perfect for jazz. We’ll show you a classic Pat Matheny style lick to demonstrate!
We’re checking out another new technique in this lesson, this time it’s the always smooth half step bend, a favorite among Santana, Gilmour, and others.
We’re going back in time to a place of big hair and big riffs – we’re of course talking about the 80′s. What better way to practice half step bends then with a Bon Jovi riff?
Sometimes the subtle embellishments are all it takes to make a solo shine. Today we’ve got the half step slide to add that extra bit of cool to your playing.
Half step slides are a great way to create smooth, articulate, emotional lead lines, and this Evanescence inspired riff will show you some of the possibilities of half step slides.
The legato technique is a favorite among shredders because it’s one of the easiest ways to play faster. We’ll show you how to get that smooth and easy sound.
Speeding, screeching, ripping – whatever you call it, that’s what legato is. Here’s a hot lick in the style of John Petrucci to practice this new technique.
Though we already looked at octaves, we’re going to learn two new shapes today which will increase our guitar vocabulary and really give us a cool biting sound.
Today we’ll be looking at a riff in the style of the Edge from U2 using root 3 and root 4 power chords. Grab your delay and let’s go!
Randy Rhoads loved using root 3 and 4 power chords to add some treble and bite to his playing. Today we’ll show you how the legend might use them.
Though we already looked at octaves, we’re going to learn two new shapes today which will increase our guitar vocabulary and really give us a cool biting sound.
Octaves are a favorite among all guitar players, especially that of vampire rockers My Chemical Romance. We’ll show you how they might use the might octave!
Jazz great Wes Montgomery used octaves extensively to create his signature sound. We’ll show you a typical way he might use this shape.
Today we’re peeling back the onion and looking at the theory behind sus chords. After this lesson you’ll understand how they work and be able to create you own sus chords!
Now it’s time to learn the D sus chords! These work great to mix up with a regular D chord and are a staple of rock guitar playing.
Time to learn our A sus chords and add some serious flavor to your playing.
Another lesson, another sus family! It’s the E sus family this time and they sound awesome!
Next up we’ve got the C sus family! These chords are absolutely beautiful and can really inject some emotion into your playing. Enjoy guys!
Time to learn our last sus family, the G sus family. Almost there guys!
Tom Petty was a hit master, and behind many of his chart toppers was his use of sus chords. We’ll show you how he did it.
Sus chords are a great way to spice up a standard chord progression. You see them all the time, and the root 5 chords are easy and sound awesome.
Sus chords have a dark, ambiguous sound that works very well for alt rockers like Staind. We’ll show you how they might use these chords in a riff.
Today we’ll be checking out the root 6 7th chords. Get ready to inject some serious pizazz into your rhythm guitar playing!
Sus chords are a favorite among alternative rockers because of their dark and ambiguous sound. We’ll be checking out a Breaking Benjamin style riff in this lesson!
It’s time for another theory lesson to understand the workings of those 7th chords!
Today we’re going to learn what 7th chords belong in a key. This is essential for any potential songwriters out there and is critical for a better understanding of music.
Major 7 chords are a great way to get a smooth, jazz sound. We’ll show you all of the open major 7 chords in this lesson.
If you want a dark blues, jazz, or alternative feel, look no further than the minor 7 chords. We’ll show you how to play them.
Dominant 7 chords sound super bluesy, and today we’ll be learning the open ones.
David Gilmour of Pink Floyd would often use 7th chords for their complex sounds which fit very well into the Pink Floyd sound. We’ll show how he might use them!
The Doors were known for combining jazz and blues influences into their psychadelic sound, and key to that was their use of 7th chords.
We’ve got another batch of new chords, this time the root 5 7th chords. These are essential for any blues, jazz, or funk player and are the preferred 7th chords at GBU.
Today we’re going to apply 7th chords to the key of C. Once you have a good grasp of this concept, you’ll be to write and create some smooth, jazzy songs.
Even the most hardcore of bands needs to mellow out sometimes! We’re checking out a 7th chord riff to illustrate the softer side of Killswitch Engage.
In this lesson we’re going to learn about the root 6 7th chords. These smooth chords are a must know for any jazz player but essential for any guitarist regardless of style.
7th chords are very common for jazz players, and bands like Steely Dan would integrate them into their signature jazz/rock sound. Today we’ll show you how!
We’ve got another theory lesson for you guys, this time we’re going to take a deeper look into sus 7th chords.
Few chords are as mysterious sounding as the open sus 7 chords. They hang you up and always leave you wanting more. So let’s get started!
7th Sus chords are a favorite among The Who guitarist Pete Townhend and can be heard on many of their classic tracks. Today we’ll learn a riff inspired by the British mega group!
Time for the barred sus7 chords! Few chords will draw you and leave you wanting more than the sus7 chords. Learn the shapes then we’ll check out some riffs!
7th Sus chords also have a very funky side, you just have to play them the right way! We’ll show you how in this George Bensen style riff.
7th Sus chords are a favorite among progressive rockers, and today we’ll show you how a band like Yes might use these chords.